By Maggie Hennefeld There was no funnier sight gag in early cinema than the catastrophe of epidemic...
In the first decades of the twentieth century, five African-American women filmmakers helped to esta...
by Nicholas Babrer In 1958, Tony Curtis was at a Hollywood party when Billy Wilder took him aside. W...
Intervıew by Rıtıka Bıswas Guest Curator, Fılmatıque Prantik Narayan Basu is an Indian screenw...
by Pamela Hutchinson This is an extended version of a paper that I gave at the British Silent Film F...
by Luc Sante Paris Belongs to Us, Jacques Rivette’s first feature, was written in 1957 and shot f...
Movies inspire a lot of passion, but the back catalogue of film history can be daunting. For every ...
by Pamela Hutchinson The concept of “Early Murnau” is a little bittersweet. The German director ...
by Lawrence Napper “Whilst many persons are railing against the cinema as a disseminator of di...
The opening of Beykoz Kundura’s cinema not only offers cinephiles a unique selection of movies, it...
In a 1921 Picturegoer article, Jeanie Macpherson advised prospective writers not to worry about subm...
During the silent era there does not appear to have been much serious thought given to the question ...
Perhaps the earliest production work available to women in the film industry was coloring work—han...
The concept of “Early Murnau” is a little bittersweet. The German director had such a short care...
